Allegra, a delightful yet somewhat eccentric character, takes center stage in Peter Quilter's play, brought to life by the talented Maureen Lipman. This whimsical tale explores the life of a woman with an insatiable appetite for singing, even in the most unexpected of places. Lipman's portrayal of Allegra is a study in contrast, as she effortlessly transitions from a lively performer to a quiet, vulnerable figure, all while donning quirky costumes and navigating a fantastical lighting design.
The play's central conflict arises from Allegra's spontaneous serenades, which have become increasingly unwelcome in her village. Her neighbors, waiters, and even local choirs have had enough of her musical outbursts. The situation reaches a boiling point when her brother, Ronen, worries about her health and employs a Czech care worker, Anna, to ensure she eats properly. This care worker, played by Elizabeth Bower, becomes an unlikely ally in Allegra's corner, fighting for her rights with a fervor reminiscent of someone raised under Soviet rule.
Quilter's play draws parallels to his previous work, 'Glorious!', which starred Lipman as Florence Foster Jenkins, a New York socialite deemed the worst opera singer ever. The common thread is the societal judgment faced by these unconventional yet happy individuals. Allegra's uninhibited happiness and unique expression of joy are deemed inappropriate by those around her, leading to a clash with a justice system that wants to force her to regulate her colorful mind with drugs. The play raises questions about the fine line between eccentricity and societal norms, and the consequences of crossing that line.
While the play has its moments of humor, particularly with Lipman's twinkling eyes and shimmying shoulders, it falls short in providing a deeper understanding of Allegra's character. The closest we get to a backstory is the mention of her father's ashes, which are cleverly stashed in food tins, but the setup for this joke doesn't quite pay off. The production, directed by Stephen Mear, leans heavily on whimsy, leaving the audience wanting more substance and depth.
Despite its shortcomings, 'Allegra' is a captivating performance by Lipman, who effortlessly embodies the character's quirks and vulnerabilities. The play's exploration of societal norms and the consequences of non-conformity is thought-provoking, even if the execution could have been more nuanced. As the play tours across the UK, it invites audiences to question the boundaries of happiness and the price of individuality.
